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- CENDANA APPRENTICESHIP PROGRAMME IN COLLABORATION WITH STUDIO HONG YI
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- Lensa Seni
- When Fragility Spells Frightful
- Aku, Pengkritik? Resah, Gelisah dan Iltizam Si Penulis Seni
- To reclaim the site in between digital and physical realms of the arts
- The Case for Casebearers
- Reflecting on the Database: Art and Cultural Ecology
- To NFT or Not To NFT?
- Participatory Utopias
- My love for Malaysian Indie magazines (and why you should love them too)
- Reflection on an Art Writing Journey
- RED DOT: Titik Mula, Titik Merah
- So, the pandemic hit… what's next for the arts in Malaysia?
- Has Spotify Changed How We Listen to Music?
- Spotify: Data, Privacy and Surveillance Capitalism
- Art Writing: A Starter Kit
- Reviewing The First Review I Ever Wrote: Ru Yi Tan’s “Returned - The Stars Seem So Different”
- BUDAYA PEMBACAAN NASKHAH LAKON SECARA TERBUKA MEMBENTUK GENERASI ARTIS DINAMIK
- RESIDENSI ARTIS MEMBENTUK AMALGAM DISIPLIN SENI
- PEMUZIK MUDA HARUS BIJAK CIPTA PELUANG DAN RUANG
- By The Logic of Ghosts
- The Warped Genius of Satoshi Kon
- Rupa Subramaniam Conveys Women’s Stories On Body and Digital Space
- RTB Fest 2021, Malaysian Hip-Hop Shows Us What It’s Made Of
- Prominence by Raimi Sani: A mother’s love poured onto canvas
- Rapkot and Imaniac’s Fiery Debut
- Art riding the bitcoin bandwagon
- HH–Figura Di Sebalik Svara (Bahagian 2)
- Previta Karthigesu’s digital exhibition Memento reflects on the year of 2020
- Feeling Adrift at Balai Seni Negara’s “Minta Perhatian: Media Baharu”
- FEMME DREAMSCAPES INSPIRASI WANITA UNTUK BANGKIT MENCABAR DIRI
- The Metaphysics of Caste
- Warenakita Collaborative: Preserving Stories of Craft and Nature in Malaysia
- Big Girl, Little Girl and Rice! are Samplings of Virtual Theatre that Leave Us Unsatiated
- Digital Communities of Care
- Journey through a climate change-affected landscape in Wondering
- The Internship Archipelago: A millennial’s thoughts on free labour in the arts
- Painting pure feeling with Instagram artist Karen Chok
- HH–Figura Di Sebalik Svara (Bahagian 1)
- The Distance Project: Hymns of the Abandoned, a dance film
- First Becomes Last, Last Becomes First: Shaq Koyok’s Land of a Thousand Guilts
- Bayangnya Itu Timbul Tenggelam: An Overdue Review of The Exhibit That Changed My Life
- ING-KAR-I MENELUSURI REALITI ALAM PEKERJAAN
- Resistance and Rebellion : Net Art
- Wei-Ling Contemporary's "Visual Poetry Project": Abstracts of Nature in Words
- Southeast Asia Watercolour Exhibition is a riot of colours and a riveting experience
- Happy Oriental Trading Co.’ in The Hague
- Mengimbau kembali kenangan bagaimana golongan pendahulu mencari makan di KERINGAT Riwayat Pendahulu Negara
- January of discontent: Wawasan 2020: Townhall and May We… @ Tun Perak Co-op
- SEA, The Showcase: Viewing Southeast Asian Art from the Outside
- Mad Weave: The Craft of Social Activism
- Sahabat dan Handpan
- Love in Georgetown City: On intimacy, relationships and censorship
- The Personal and the Political in Sharon Chin’s “Letters to What We Want”
- ARTIS MESTI BERANI HASILKAN KARYA YANG LANTANG
- A Reverie of the Matriarch in Ancient China
- Southeast Asia Meets West: Quenching The Thirst for Art’s Sake
- In Our Best Interests and Jalan-Jalan di Asia Cast a Thoughtful Gaze on Southeast Asia
- Object Matters: Emancipating the Collection of Rahime Harun
- Yes, you’re alone! Now what?
- Anthology of Metaverses: Creating a New South-East Asian Digital Art Space
- Forecasting Digital Art Futures: In conversation with Anthology of Metaverses
- REZEKI MERKET, SENI DAN BROWNIES
- Fauziah Nawi’s RASA on CloudTheatre
- “I Stole Satan’s Girlfriend”: What Makes A Bad Play Fun, And Why Is This Not It?
- PUISI SENI VISUAL BASQUIAT DARI KACAMATA PELUKIS EMPAT NEGARA (BAHAGIAN 1)
- PUISI SENI VISUAL BASQUIAT DARI KACAMATA PELUKIS EMPAT NEGARA (BAHAGIAN 2)
- The Importance of Meditative Movement
- Monoriff Unpacks The Complexity of Being “Human”
- Bengkel “Why Not Here?” Menghidupkan Semangat Berkarya Di Kala Terasing dan Mencabar Konsepsi Lazim Seni Tari
- ‘May We…’ unveil it one day?
- Fadhli Ariffin making waves at Peristiwa di Awangan
- How to leave town in a diseased world: Ise at A+ Works of Art (Part II)
- Living Art History: A book review on Emelia Ong’s ‘Living Art’
- Istiqamah ISTIKOMA dan Jalan Lurus CETAK TERUS
- Seni Tiga #11: Dulu. Saat Itu. confronts our memories of the past
- To Boston and Back: On Homecomings, Creative Growth, and Lyanne Low’s Debut Single
- Project Ranih Documents Kelabit Folksongs
- Theatresauce and the Emerging Directors Lab in 2021
- Deciphering PUPARIA
- Nor Tijan Firdaus Gives E-Waste A Second Life in New Formal
- Spaces of Digital Convergence
- FASA2020: Showcasing the Lecturers’ Works
- Alone in Bangkok: Ise at A+ Works of Art (Part I)
- The Problem with Art Gallery Internships
- Idealisme Dalam Distopia: Asal Buangan Menjadi Seni (Bahagian 2)
- Fa Abdul’s Tales From The Scars reopens old wounds with ten monologues
- Protests, Quarantines, and Everything in Between: Remembering 2020 with Previta Karthigesu’s “Our Memento”
- WHY NOT HERE?: Exploring movement
- “Am I Alone?” Virtual Art Exhibition – Self-Portraits of Ourselves in The World We Live In
- Roslisham Ismail, the itinerant artist
- To Read Collectively
- Dear 2020, where’s the flying car?
- Fadilah Karim’s endless decade
- Idealisme Dalam Distopia: Asal Buangan Menjadi Seni
- Chatting on Monomania
- “Am I Alone?” Tries to Answer the Unanswerable and Does A Pretty Good Job, Actually
- PAMERAN HOMEBODY : GABUNGAN SENI DAN TERAPI PELUKIS CILIK SEMASA PKP
- Freaks: Lusus Naturae brings out the beauty
- MAYABAYU Expresses Love And Reintroduces Sabahan Culture Through O, Sayang
- “Sharing The Tikar” Mengisahkan Perkongsian dan Pertukaran Unik di Dunia Anyaman Sabah
- Designing ideas, the podcast way
- Bernard Chandran: Dreams & Reality, 34 years in 16 rooms
- Inside the Ellen Lee Collection
- Sepetang Hinggap di Jarak – Mendekatkan Yang Jauh, Mengeratkan Yang Dekat
- G13 Gallery’s FURiends: Portrayals of Cats & Dogs exhibition shows us the love that is found within our pets
- Seashore Yuánfèn 海缘 is the Fleeting Ray of Sunshine You Needed in 2020
- Revisit Traumatic Memories in Seni Tiga #11: Dulu. Saat Itu.
- Delineations and demarcations
- Tarung: A fight for power and survival
- Tale of Two Tomi’s
- Jejak GARIS: Bermula Kosong, Berakhir Tenang
- Lakar Live provided nights of great music with independent bands from Lumut, Perak
- Lizzie Zany The Comic Artist and Illustrator
- ‘DÉJÀVU’ :Relationships on Replay by Son of A Policeman
- DUNIA SENI DALAM TALIAN : NORMA BAHARU ATAU SYOK SENDIRI?
- “FURiends” Menyelami Dunia Haiwan Peliharaan Dengan Bersahaja Tetapi Penuh Makna
- The In-between Part 2: Notate and Stream
- Online or die? Reflection on Gallery Weekend KL’s Luminary: Curating and Collecting- Ways of Seeing
- The Theological Thorniness of Instant Café Theatre’s CMCO Nadirah
- Moulding her own world
- Semarak Yang Hilang – Di Sebalik Obor Kritikan Sastera
- Chapter One, a compelling dance performance on Zoom
- Izat Arif’s Taman Kenangan and the Failed Promise of Development
- Kit Naga’s ‘Son of the Dragon’ is Perky, Playful, and Surprisingly Personal
- Feeling Shy Under The Moon
- The Language of Colours and Spirituality in Adam Ummar’s Abstract Paintings
- Carving Reality out of Social Realism
- The In-between: Shifting Towards the Virtual
- Dendang Perantau: Haffendi Anuar Menjiwai Seni dan Identiti di Setiap Persinggahan
- The fate of humanity as seen by Edroger Rosili
- Izat Arif vs. the art world
- Dari Kertas Ke Pentas - Antara Kemelut, Kebangkitan dan Impian Seni Mosyuki (Bhg. 2)
- Hana Zamri keeps her creativity alive during the pandemic
- A Conversation about Art in Quarantine with the Creators of Soliloquy: A Dance Film
- Of Reddened Cabbage and Sisterhood
- The Lone State of Mind in Ajim Juxta's Dystopians
- Modern myth-making by Zedeck Siew and Sharon Chin
- The Geography of Corporeality
- Meat on a Chopping Block: A Tale of Uncertainty by Chang Yoong Chia
- Curatorial meanderings in Fergana Art’s Se{SUMPAH}
- Dari Kertas Ke Pentas - Antara Kemelut, Kebangkitan dan Impian Seni Mosyuki (Bhg. 1)
- Watching History Unfold with Anurendra Jegadeva’s Scream Inside Your Heart
- CMCO Nadirah: A Review
- With Love, The Evolution of The Human Race – Edroger Rosili’s On the Anatomy of Fate
- Read Like Rumi on Zoom
- My Journey is a Visual Repertoire of Loss, Love and Picking Up the Pieces
- Reimagining the Colour Pink with ANJU
- Featuring works by 50 Malaysian artists, Sacred Garden provides space for quiet contemplation and reflections on curation
- Faizal Suhif’s solo exhibition Microscopia is a lens on art and the joy within
- Louise Low’s Mass against Mass is a conversation about the current collective crisis
- Hypnotherapy and video images in Dipali Gupta’s Uncertain Relaxation installation provoke thoughts about man, machine and the in between
- ROT: The Wild Imagination of Haslin Ismail
- The Western Narrative of Eastern Economics in Asia the Unmiraculous by Ho Rui An
- Reminders of death in Dhavinder Singh’s Tagistan
- Look East Gone West: Ho Rui An @ A+ Works of Art
- Lock Yi’s first solo digital exhibition Is there No End? goes beyond the body
- Eng Hwee Chu, Heritage and Magical Realism
- Cherish forgotten photographs, and moments in time, in Ilham Gallery’s exhibition Bayangnya Itu Timbul Tenggelam
- A night of digital theatre, family, and questions of ethnic and religious identity courtesy of The Instant Café Theatre
- Meat on the Chopping Block: Power, Violence and Moral Responsibility
- Two Reviews at Zhongshan: Hummer by Cassielelolea and Tagistan by Dhavinder Singh
- I Organised A Virtual Art Gallery Party
- The Woes of Owning a Uterus - As Explored by Lith Ng Yee Leng
- On ‘BROHEMIA!’
- Keringat, Kenangan dan Pengajaran Di Sebalik Mural Gergasi Miey Ali
- Terjemahan Realiti Pesisir Waktu
- KL Shakespeare Players Brings Sang Kancil Folktales Online
- Moka Mocha Ink’s “Life and Death” Conversations over Everyday Items
- Articles
- Malaysia and Australia Signs Memorandum of Understanding for Continuous Artistic Exchange & Support
- OzAsia Collaborates With CEDU Malaysia
- Doors are Open for Australian and Malaysian Arts Professionals
- PM declares arts and culture as new asset to the country
- Najib launches Cendana to drive arts, culture development
- PM declares 'cultural economy' as a new asset for Malaysia
- PM Najb Razak launches Cendana to help Malaysian artists
- Cendana to launch its first arts funding programme in November
- Singing different songs, but in tune
- What Will It Take To Turn Arts And Crafts Into A Vital Part Of Malaysia's Cultural Economy
- Cendana for The Arts
- Suntikan baharu bagi industri seni budaya
- Cendana invites applicants for Emerging Artist Incubation Funding Programme
- Cendana: A Solution for Your Art Funding Needs
- Creative economy to boost GDP
- New arts and culture agency Cendana’s strategic partnerships to boost Malaysia’s cultural economy
- Cultural agency Cendana revs up BAS KL school holiday campaign
- Get cultured: Get on the BAS KL
- Cendana aims to drive Malaysia's cultural sector
- Cendana to use MFP for smaller scale tours
- Cultural agency Cendana and Matrade team up to drive Malaysian arts forward
- Press Release
- Videos
- Reports
- CENDANA Milestone Report Part 2
- CENDANA Milestone Report
- Audience Propensity to Return to Arts Activities and Venues Report
- COVID-19 Impact to the Arts Report
- Kuala Lumpur As A Cultural And Creative City Report
- OVERVIEW OF CENDANA'S ACHIEVEMENTS: SEPTEMBER 2017 TO DECEMBER 2019
- The Reopening Of Live Events Training Booklet
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